This morning my perspective on self-publishing shifted. I had always seen it as a second phase, either the space you reach when you cannot find an agent (at no fault of your own, of course…) or the choice you make when you’re already established and want to regain control over your profits. Sure, I had read all kinds of success stories, but I had also scrolled through the sea of titles, lost in the myriad of choices, uncertain of the quality and dissuaded by the prospect of reading on an electronic screen.
However, this morning as I sat over tea at my favorite French bistro with my uncle and my husband, I was swayed a different direction. Suddenly, self-publishing was the indie choice I loved all along without ever realizing it, akin to making an independent movie instead of waiting for a big studio with its formulaic tastes to discover your project. I adore many independent movies. I don’t know why I never made this connection before.
In fact, this past weekend, I saw an indie flick at Tower Theater in Sac, the kind of place you sit and revel at moviemaking’s past, the crown molding and neon sign making up for the struggling air conditioning and sagging seats. We watched Frances Ha, a movie which at first makes you wonder if you’re witnessing a slow theatrical train wreck but eventually blossoms into a genuinely funny and touching film. Indie movies may have their flaws, but they also bring you into worlds more refreshing than those where everyone has a shiny new car and drinks Coca-Cola with the label pointed outward.
I see my book as kind of the same deal. It may lack some of the sheen of a blockbuster, but there is enough beneath the surface to make it worthwhile, especially if you stick around until the end. Likewise, I recently read my uncle’s first novel, a book which marries Dan Brown’s ability to create suspense with Pillars of the Earth’s timeless heroes and villains. It is exactly the kind of thing I would expect to see on the bestseller’s shelf at the local bookstore, yet he has not been picked up by an agent. Proof the old system is imperfect, overlooking true gems in the ocean of submissions.
So, as I left our little book meeting, I could see my novel self-published with an indie charm, no less meaningful without the mark of a major publisher on its spine. I’ve always been an acquired taste, as my father likes to say. It only makes sense I would find a quirky world for my words to thrive, an audience who appreciates this sort of thing, the kind of people who go to sit in Tower Theater instead of always opting for the comfort of the megaplex. The gatekeepers may bemoan the changes in the publishing world all they like, but it is about time the indie book market follows in the footsteps of its movie-making big sister.